Hue wouldn’t believe my Fuji X T-2 Mishap

“Experience is a good teacher, but she sends in terrific bills.”   —   Minna Antrim

My adventure with the Fuji X T-2 started almost a year ago. I use the word adventure deliberately because that has been my experience. I have read two books about how to set up and use the X T-2, but like much technology, all the books in the world often cannot prevent the unpredictable from happening.

What I am about to explain is not technically the fault of the camera and I have to admit that all errors of the sort I am about to explain are clearly on the shoulders of the user; ME. I am merely writing this article so that perhaps others can avoid the frustration and/or disappointment that such occurrences can cause.

OK, by now you are probably wondering “What happened already!”

I recently returned from a trip to Portugal and Spain and of course I could not wait to download my photos to my computer once I got home. Imagine my surprise when all the JPEGs I shot with the X T-2 had a strong magenta cast to them. I was amazed since I had just used the camera prior to the trip without any problems. I couldn’t figure out what went wrong.

Here is what the JPEGS looked like once imported into Lightroom:

I don’t do much international travel. Usually I am headed for landscapes in and around national parks or similar venues in the United States. When I do that, I often take a computer with me and each evening I download and review the files to double check that all is working as anticipated. I can then see if there is dirt on the lens or sensors and whether the settings are basically correct.

Since I would be with a group on this trip and I was concerned about securing a computer when it was not with me and traveling light, I decided to leave the computer at home.

There was another aspect that should have been a clue to me, but I didn’t pay enough attention to it. I was “lulled” into a sense of security.

Let me explain: When looking through the viewfinder (EVF), there was a color cast to the live view image. I ignored it under the assumption that I had inadvertently adjusted the live view setting and that the pictures would not be affected. In the X T-2 references, I read about adjusting the EVF Color so I thought (my bad again!) that I had adjusted the EVF color inadvertently. This was a clue that I should have investigated further.

What “lulled” me into this mindset was the knowledge that the white balance was set to AUTO so how bad could it be? When I would quickly look at the LCD, it wasn’t that obvious to me that there was a color shift.

So imagine my surprise or disbelief when I arrived home and downloaded the pictures and saw that every JPEG had this rather overwhelming magenta color. I was truly puzzled. Trying to correct the JPEGs in Lightroom was very difficult, but what saved me in this instance was shooting RAW plus JPEG. The RAW files, although the finder images showed the same cast, were rendered perfectly once developed in LR.

I tried searching on the Internet and through two books and the owner’s manual to see what the problem might have been. I was like a sailor lost at sea. I really didn’t know what I didn’t know. Thank goodness Fuji has an excellent support team. I called them and within five minutes I had the answer to my problem and learned how to avoid it in the future.

APPARENTLY one of my settings was accidentally changed so that the white balance, although set to AUTO, was manually altered to change the hue of the light when a photo was captured. Like much advanced technology, the X T-2 provides a multitude of choices and with choices comes the possibility of more user errors or “accidental” system changes.

This is what I learned after my call to the support center:

The right selector button (see arrow above) surrounding the rear menu botton is set to change white balance hue by default. There is no lock on this button so when removing the camera from the camera bag, pressing that function button launches an option to change the white balance default color. If not noticed the user can be into the indavertent change for two or three unintended presses before taking the next shot. If it happens when the camera is being placed into the bag and being turned off, it may go unnoticed.

Here is my Tenba bag with my cameras in it.

A closer look shows the arrow pointing to the area of the X T-2 where the selector button in question would be directly on the top side (see arrow below).

You can imagine how it was possible or perhaps probable that the selector button would be pressed when grabbing the camera to take it out of the bag for shooting which I did several times a day.

The technician at Fuji recommended that I change that partuclar function button to provide playback (a safe choice) which would remove that potential problem from my shooting workflow. Of course I also rebalanced the hue to the neutral position while I was making that change.

This was my fault for not knowing what options these buttons controlled and what pressing them can do. You can bet that I will be checking them all before my next shoot! Would it be better perhaps for these buttons to be undefined by default and allow the users to program them as they see fit once the camera arrives at their door?


The Good:

I was shooting RAW plus JPEG which saved the pictures for me this time. I lost the ability to rely on the JPEGs for color reference, etc., but that was only a small price to pay (IMO) compared to what could have been.

I had a second camera with which I was much more familiar and I took “near duplicates” of the important shots so I had many more pictures to cover myself if the Fuji pics fell short. This goes back to my analog days of doing some professional gigs where I always had multiple cameras “just in case!”

The Bad:

I should have…

Spent more time and care assessing the photos via the LCD to check for color balance, sharpness, etc.

Understood the purpose of the function buttons before going out into the field. Interesting that I have been using it for several months and haven’t had this problem before.

Checked both cards in playback mode from time-to-time before getting home just to check on things.

Given more importance to taking my laptop with me. Perhaps this would have been the wiser thing, but I am still not certain about this one.


Overall, this was not a disaster and I did capture some nice shots. To paraphrase and borrow from an Oprah Winfrey quote:

“I am a photographer in process. I’m just trying like everybody else. I try to take every conflict, every experience, and learn from it. Life and photography is never dull.”

See more photography posts HERE and visit Jeff’s Instagram site HERE



All original content on this blog is copyrighted by Jeffrey B. Ross with ALL Rights Reserved. While reference links back to are appreciated and encouraged, please acquire approval for any reproduction of original content from this website.

©Jeffrey B. Ross – 2018 –

Fuji X-T2: Firmware Update Procedure

One of the reasons to consider a Fuji camera is the ongoing support Fuji offers its users. Some camera manufacturers sell their camera to someone and unless there is a major problem, the firmware rarely gets updated.

Fuji, on the other hand, continues to support their buyers by improving the performance of their cameras by updating the software often with new capabilities. Yes, of course they use updates to correct poor performance or problems, but they don’t stop there.

Last week I learned that my relatively new Fuji X-T2 was eligible for a firmware update. I updated the firmware once before, but I couldn’t remember exactly how to do it and believe me, this is one area where nobody wants to make a mistake. I discovered that there are more warnings than a photographer can shake a stick at while I was reviewing the correct procedure.

I did what most people would do under the circumstance, and I went to the web to determine the best procedure.

Here is the procedure I used: (I give official documentation at the end and I would suggest your read that as well as watching the video.) I found comfort in reviewing the correct procedure from different sources just to make sure I understood it completely.

NOTE: There seem to be many steps, but it is easier than it appears. Just take your time and follow the instructions carefully. Please read this entire web page and information at the links before proceeding. It will give you confidence!

  • 1. I visited the Fuji firmware update page and located the latest firmware upgrade for my camera which was represented by the entry in the table on that web page:

    X-T2 Firmware update listing

  • 2. Since I knew I needed the update, I clicked on the Firmware-Download link and checked all the necessary agreements!

  • 3. The file, FWUP0010.DAT, was waiting for me in my downloads folder. I could see that it was 53.5 MB

  • 4. The next thing needed is a newly formatted memory card. There are couple of ways to do this. P. 203 of the User’s Manual provides the basic outline**:

      A. – Press the Menu button on the back of the camera and select User Setting (the wrench) –> Format
      B – Choose the slot that has the memory card you want to use and press MENU/OK.
      C – You have to confirm the choice. Naturally, all data on the card will be erased and lost so make sure there isn’t anything on the card that you will need. You can always select CANCEL at this point if you are unsure.
      D – If you are sure you want to format the card, choose OK and let the camera do its work.

    ** Fuji owner’s manual

  • 5. Once the card is formatted correctly, insert it into your computer and copy the .DAT file recently saved as the Fuji firmware download. Don’t change the name of the file or do anything to it other than copy it to the card.

    NOTE – The copied file needs to be in the main directory or root directory of the card. It should not be in a folder and technically, it should be the only thing on the card! (Just drag and drop it onto the newly formatted card and you will be fine)


  • 6. Eject the card from your computer and carefully insert it into the camera.

  • 7. Fuji warns users to make sure they are using a fully charged battery. You can insert the battery into your camera to check the power level. Make sure it is fully charged.

  • NOTE: Firmware updates can take some time. You never want to interrupt an update so be careful in handling the camera so that it is not turned off or disturbed in any way. I just put it down with the screen facing me and let it go through the paces. Fuji suggests that the update can take up to 90 seconds. When waiting for the process to complete, it may seem like a long time, but let it run through the steps. You will be notified when the process is completed.

  • 8. With the camera turned off, press and hold the DISP/BACK button while turning the camera on. You should see a menu indicating the firmware version. It may give both a body and lens version. Now you can let go of the button.

  • 9. Make sure BODY is selected and press the OK button on the back of the camera. Pressing the up button should highlight the word “OK.” DO NOT SELECT LENS as this upgrade is for the body’s firmware only.

  • 10. Press the OK button and the camera will update the firmware. When the update is complete, the screen will show the current firmware (updated) version.

  • 11. Fuji recommends that you turn off the camera at this point and check the firmware version; good idea. (see step 8 above). It should list the updated version.

  • 12. Fuji also suggests that once you have checked the firmware version and the upgrade has been successful, you should reformat the memory card so that it can be used for photos and doesn’t become a source of confusion later.

Here is a video offered by Fuji if you prefer learning that way.

NOTE: The video seems to imply that users should remove the lens, but I did not find that necessary with my X-T2 and the video actually addresses that particular issue so don’t be concerned. You can leave the lens in place with the X-T2

You can also read the Fuji web page detailing the complete procedure which is basically what I outlined above.

I hope newcomers to the Fuji system, especially the X-T2 find this information useful!


All original content on this blog is copyrighted by Jeffrey B. Ross with ALL Rights Reserved. While reference links back to are appreciated and encouraged, please acquire approval for any reproduction of original content from this website.

©Jeffrey B. Ross – 2017

Fuji X T-2: Improving LR Post Processing Process

My Fuji X T-2 experience is moving right along and I am learning new things almost on a daily basis. I haven’t had an extended shoot yet, but I will have one soon. In the meantime, I have been experimenting and becoming accustomed to all the controls and settings available to me. I can sense now that it will be difficult, with just a bit of knowledge, to take a bad picture. Naturally there will be newbie mistakes, but no more than to be expected when learning any new system.

Before I get to show you some of my first pictures, I want to discuss an issue I knew I would encounter…

I have the camera set to
capture both JPEGs and RAW files. With two card slots, this is really pretty easy. I am not sure I will do this all of the time, but I thought it would be good to try this as I started on my journey to learn the X T-2.

I discovered that the JPEGs are rendering very well, but when I examined the RAW files, they didn’t show the detail that I can see in the JPEGs. I know the camera is working accurately because the JPEGs are right on.

I live in the desert so the photos are of an area near my home. This was a test run just to try out a new polarizing filter so understand that the images may be over saturated, etc. as I am learning to adjust the polarizing effect as well as how to use the camera.

This is the JPEG straight out of camera (SOOC).

JPEG straight out of camera (sooc)

Here is the RAW image, also with the polarizing filter, straight out of camera (SOOC):

RAW straight out of camera (sooc)

I don’t know if you can see a big difference between the two. On my 27″ monitor in LR, there was a noticeable difference.

Here are the two shots after I applied my “regular” (Nikon, Canon) LR settings. JPEG first then RAW.



They were relatively close, but on my larger screen when the images are in LR, I could tell the JPEG had more detail.

Here is a 1:1 enlargement of a section of each picture just to give you the idea. JPEG first then the RAW image (both after similar LR enhancements).

NOTE – All enlargements are screenshots taken on my legacy iMac which produces PNG files.



If you look closely at the clouds, the spines of the large cactus (saguaro) on the left of the frame as well as the tree branches, I think you will note there is more detail in the JPEG. I wish I was better at presenting this.

Here is a similar comparison with a 3:1 enlargement. JPEG first then the RAW image (both after similar LR enhancements).



I knew the detail from Fuji files was an issue with LR. If I hadn’t read about this prior to my purchase, I might have been panicking at this time, but I was prepared.

I wanted a Fuji because in my mind, they put the photographer first. They have demonstrated their dedication to providing the best user experience by offering, free effective firmware updates. These not only correct glitches that might arise, but historically, they have extended the usefulness of the Fuji cameras. Yes, Fuji was the system I wanted even if I had to modify my workflow.

I began to search the Internet for potential solutions to help me generate more detail that I knew were in the RAW files. There seem to be a number of good alternatives. One that I found to work for me, at least at this point, was offered by Jim Harmer of Improve Photography via a video/podcast.

Based on Jim’s suggestions, I adopted the settings below as my starting point in addressing my Fuji files.

These adjustments are made in LR’s Detail Panel as I import the files. I created a preset to do this on import [all of these are, of course, (+/-) according to personal taste ]:

  • Amt – 40
  • Radius – 1.5
  • Detail 80 – 84
  • Masking (if needed ) 45-48
  • I also found that using Provia Standard (Camera Calibration Panel OR Pro Neg. Hi) gives me a look I like for my photos; your mileage may vary.

    NOTE – To anyone who has worked with LR, it is understandable that the above settings are not going to work with every file right out of the gate. Each file will need to be tweaked as necessary moving the sliders until the best rendering is achieved. I use the above as a starting point for my Fuji files and then I move to my other regular settings under the Basic Panel. I go back and forth between panels to achieve the desired result. This is really nothing different than I do with my other files and now that I have the preset for importing the Fuji files, it isn’t difficult.

    Here is the Improve Photography video that helped me:

    Thank you Jim!

    Finally, below are both the JPEG and the RAW file after all of the processing in LR. I have to issue a disclaimer — I have been using LR for only a year or eighteen months and I am the first to admit that my skills are not that of an expert. I am just trying to pass along what I am learning in an effort to help others who can benefit from the information.

    I am satisfied that I have increased the detail rendered in my RAW files to match or surpass the Fuji-generated JPEGs, but I am not done yet!

    NOTE: If you want to delve a bit deeper into the extraction of fine detail from Fuji RAW files, I suggest you read SHARPENING X-TRANS FILES IN ADOBE LIGHTROOM. Pete Bridgwood has done a great service for the Fuji community by constructing a detailed procedure which I intend to use to help me modify the parameters set forth above. He offers a way to build several presets for landscape photography along with much background material and other ideas! It will be well worth your time if you are interested.

    Read more photography posts HERE


    All original content on this blog is copyrighted by Jeffrey B. Ross with ALL Rights Reserved. While reference links back to are appreciated and encouraged, please acquire approval for any reproduction of original content from this website.

    ©Jeffrey B. Ross – 2017

    Photography: The Fuji X-T2 has arrived (Strap and Lens)

    The Fuji X-T2

    Hello JBRish readers. I have to say that my postings may be somewhat limited over the next several weeks as my new Fuji X-T2 camera has arrived and I am dedicating myself to learn how to use it.

    NOTE – My apologies to anyone who isn’t like me. I celebrate everyone who has a different learning style, but I am basically a concrete, sequential person. What that means is that I like to learn everything in a logical, step-by-step progression with details and with lots of reviewing. This is my story of how I am trying to improve my photography skills and learning how to use a professional level camera; the Fuji X T-2.

    There are so many unboxing videos for all types of cameras out there. I am going to skip that part and get right down to what I consider to be the “nitty gritty.”

    When you buy a modern digital camera, it really isn’t a camera. The word digital is the giveaway. It is a computer that takes pictures. One look at this piece of gear and you know you have something special in your hands. Something serious that demands your attention.

    It is easy to be overwhelmed and I thought that perhaps it would be difficult for me to get up and running quickly without assistance. Manufacturers don’t provide owner’s manuals that are very thorough. I am not complaining. I understand that the camera industry today is quite competitive and that everything is being done to cut costs. Still, we need to learn how to use the gear the best way we can. The Internet is a good resource, but it is spotty and doesn’t always have the information needed.

    Let me offer some words from one who has, as of now, been down the path before:

    • 1 – When you first get a new camera, unbox it in a clear area where everything can be laid out in front of you. There is usually a page in the owner’s manual that shows what is included in the box so take everything out of the package and review all items to make sure all the pieces are there.
    • 2 – Next, let’s talk about the camera strap! I generally don’t go in for fancy camera straps and I make do with the straps that come with the camera and use carabiners to keep things organized and to stop them from banging into each other. The strap that came with the X T-2 is a bit above par, but not exciting or extraordinary overall. If I decide later on that a different strap is needed, I will consider it at that point.

    Here is a picture from the manual describing the final two steps explaining how to attach the strap to the camera:

    Attach the camera strap
    Picture courtesy of Fuji X T-2 Camera Manual, v.2.10

    I may not be the smartest bulb on the tree (so to speak), but I really needed a bit more direction than the information in the manual to make sure that the strap is firmly and securely attached. Nobody wants their camera falling off of their body to go smashing to the ground.

    As an example:
    That piece of plastic in the middle (shown in the bottom frame), the one with the two square-ish sections with the bar in between appears to have “teeth” on one of the faces/sides when you are actually holding it. This doesn’t show in the picture. Do the “teeth” face inward or outward?

    I found the video below which presents a pictorial explanation. Truth must be told, I had to watch the video three times to get it done exactly as they explain!

    The next logical step after attaching the strap might be to attach the lens.

    Here is the picture and description from the manual:

    Attach the lens to the camera

    Picture courtesy of Fuji X T-2 Camera Manual, v.2.10

    The marks” to which they refer really cannot be seen well unless both the camera body cap and the rear cap from the lens are removed. Then, you need to line up the red dots and twist the the lens until you hear the click. It is not easy to discern the precise position using the graphics in the owners manual (IMHO).

    One reason why users want to do this quickly is to prevent dust form getting on the sensor and thus leaving spots on the images. Do this in as dust-free environment as possible.

    This was only the first few steps in getting started. We aren’t quite at the point where we get to take some pictures, at least not yet.

    The story will continue…

    To read more JBRish photography posts, click HERE!



    All original content on this blog is copyrighted by Jeffrey B. Ross with ALL Rights Reserved. While reference links back to are appreciated and encouraged, please acquire approval for any reproduction of original content from this website.

    ©Jeffrey B. Ross – 2017

    Photography: Searching for the Magic Bullet

    One of the photographers I enjoy following is Karen Hutton because she is different. I have never met her, but I feel that I know her and if you check out her blog, I think you will quickly get an understanding of who she is. Be careful though, she is like a human onion. There are layers upon layers, all interesting, but somewhat hidden until purposely exposed. Oh, did I mention to add a bit of quirkiness?!

    Karen Hutton
    Photo courtesy of Karen Hutton’s Website

    I like to think of Karen Hutton as a photographer-philosopher because almost every post contains both elements. She recently spoke at Photo Plus Expo 2015 in New York City as a Fuji-X Photographer; a designation of honor given by Fuji.

    In her most recent post, A Fuji-full Photo Plus Expo 2015!, she issues the following quote:

    “…everyone here is seeking that magic bullet. Wants it. Desires that something ‘more’. But do they know what it is? How will they know when they’ve found it? And what will they do once they have it?”

    This quote resonated with me because I know so many people who are looking for a “magic bullet.”

    As part of her post, Karen shares two picture quotes that she made using her own images. As JBRish readers know, I really like quotes as evidenced by my daily posting of STATUS QUOtes.

    Here are the picture quotes she created with her beautiful images. I like the quotes, I like the pictures. I hope you enjoy them as well.

    Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray.

    “Let yourself be silently drawn by the strange pull of what you really love. It will not lead you astray.” – Rumi

    Beauty awakens the soul to act.

    “Beauty awakens the soul to act.” – Dante Alighieri

    Read more about Karen Hutton and her photography/philosophy.